Julia Fischer -【韦瓦第:四季】(Vivaldi: The Four Seasons)[DVDRip]

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1983年出生於慕尼黑的德国女小提琴家茱莉亚?费雪，父亲是来自东德的数学家，母亲则是来自斯洛伐克的德国人。茱莉亚四岁不到就开始学小提琴，稍长也随母亲学钢琴。她先在奥格斯堡（Augsburg）的雷欧帕德?莫札特音乐院接受正式音乐教育，九岁获准进入慕尼黑音乐院，在教授Ana Chumachenco门下学琴。茱莉亚在青少年时期曾参加过许多音乐比赛，最受人瞩目的就是1995年的国际曼纽因音乐大赛，她以十二岁之龄拿下青少年组第一名，同时获颁最佳「巴哈独奏作品」特别奖。接下来五年茱莉亚参加多项比赛更是屡获佳绩，之后她的足迹遍佈欧洲各地，和她合作的指挥与乐团也相当多。2003年茱莉亚在大师马捷尔带领巴伐利亚广播交响乐团之下在卡内基首度登台，终场获得全场起立致意的最高荣耀。此外，茱莉亚也是英国留声机Gramophone杂誌2007年的年度最佳艺人。


协奏曲之父的杰出代表作！韦瓦第是和巴哈同时期的音乐家，他既是小提琴教授、音乐指挥，也是作曲 家；由於他是「大协奏曲」、「小提琴协奏曲」曲式的完成者，连巴哈、韩德尔 都继承他的曲式而奠定巴洛克协奏曲的样式，故被尊称为「协奏曲之父」；目前 为止，他的协奏曲被发现的就有四百五十首之多，可谓惊人。「四季」包含春、夏、秋、冬四首协奏曲，每首都有标题并附诗文；结构上皆由快板、慢板与快板 三个乐章构成，乐曲精彩充实，洋溢美丽的诗情话意。

　　被尊称为协奏曲之父的安东尼奥?韦瓦第的一生(1678─1741)就像一个「弧形」的人生，从生下来为卑微的麵包师之子，而上昇为欧洲著名小提琴家，结果又降到贫困地逝世於维也纳的穷人墓区。而韦瓦第的一生就是这样的矛盾，虽然他出生就饱受疾病之苦，但却仍喜欢到处旅行。他从1703年至1741年就出任威尼斯孤女音乐院院长兼指挥，这是专为较有天份的孤女而所设的音乐学校，日后造就了不少杰出的音乐家，且当时她们的演出也是维也纳音乐季的精彩好戏。
　　韦瓦第既是小提琴教授、音乐指挥，也是作曲家，由於他的杰出表现，也有好几百场音乐会的发表（当中有220场都是小提琴出演！） 还有无数的奏鸣曲，圣咏曲及清唱剧等，更不提他在义大利及其他地方剧院所写的五十多首歌剧了！
　　虽然他的声望与巴哈一样高，但是令人难以置信的是，在他死后，却完全被人们遗忘。直到后来音乐学者们发现：一大堆巴哈的键盘协奏曲谱上都写上改自韦瓦第作品OP.3，维也纳的作曲家才开始注意到他，而事实上他大部份的作品於他在世时都没有出版，但其中有一组协奏曲在他有生之时就十分出名─那就是我们所熟悉及所喜爱的「四季」。
　　韦瓦第在他的第８号作品「四季」，那是由一七二五年阿姆斯特丹李伸发行的一套十二首协奏曲版本之中选出，喜欢新奇标题的韦瓦第称它为「和声及创意的试验」。所谓「试验」指的是音乐和谐的能力，而「创意」指的是作曲家的想像力，暗示著此作品内容的超凡与卓越。当中前四首标题为「春」、「夏」、「秋」、「冬」，其他的则提为「乐趣」、「暴风雨与海」及「打猎」。也就是说虽然「四季」现在是那么的出名，但实际上韦瓦第并未特别看重它，甚至未在封面上与其它的作品分开另写，只有在写给摩铭爵士的信上曾提到：「我希望你不要惊奇，在这一系列的协奏曲中，『四季』已被广泛的接纳......」。
　　乐曲内容是根据乐谱上的十四行诗而来的，诗的作者不详，但他对於自然的描写有十分独到之处。
Ｅ大调　第一号「春」
　　满怀喜悦的春天来了
　　鸟儿们用快乐的歌声来欢迎
　　小溪在和风的微息中
　　带著甜蜜的呢喃轻快地移动

　　突然，晴空被乌云遮掩
　　闪电与雷声也交错不绝
　　当闪电终於渐去渐远后
　　小鸟们又清新地唱出甜美的歌曲
　　在这满佈愉悦花朵的草地上
　　树间叶儿轻声细语著
　　牧羊人安静的休息了
　　而他忠诚的牧羊犬则依偎在旁
　　牧笛吹奏出节庆的乐声
　　水泉仙子和牧羊人在可爱的蓝天下跳舞著
　　迎接那耀眼春天的来临


Ｇ小调　第二号「夏」
　　夏日燄阳烧焦了这个粗糙的季节
　　人们与走兽都憔悴了，连松树也凋萎了
　　杜鹃鸟提著嗓子轻唱著
　　紧接著，斑鳩和雀鸟也加入歌唱的行列！
　　
　　西风甜蜜的吹拂著
　　而北风却突然开始想吼
　　使得牧羊人低泣不已
　　连树木和花草也都俯首称臣

Ｆ大调　第三号「秋」
　　农夫们载歌载舞庆祝著
　　那令人快乐及喜悦的丰收
　　并畅饮著香醇的巴斯卦酒
　　在酣睡中结束了一年的辛劳

　　秋天温柔、宜人地带来了喜乐
　　使大家渐渐地停止跳舞和歌唱
　　是啊，就是这样的一个季节
　　邀请每一个人到那可爱甜蜜的梦乡

　　当黎明的曙光渐渐昇起时
　　猎人们携带著号角、猎枪及狗
　　循著足迹追赶那逃走的野兽

　　吵杂的枪声及狗吠使得动物惊吓力竭
　　而牠们仍在作垂死前的挣扎
　　但是，却终於被制服而颓然的死去

Ｆ小调　第四号「冬」
　　人们在冰冷的风雪中战慄著
　　刺人的寒风无情的吹进了牙缝
　　就算终日不停地踩脚取暖
　　却仍然冻得牙齿大打哆嗦
　　开始为暴风雨及他的命运忧心起来
　　
　　突然，恐怖的闪电轰然而来
　　而恼人的蚊蝇也嗡嗡作响
　　惊醒了牧羊人那疲惫的肢体

　　牧羊人可怕的预感真的发生了
　　无情的雷电划破长空
　　安详满足地依偎在炉火旁吧！
　　而外头却是一片寒雨交加
　　在薄冰上请慢步而行
　　小心翼翼，以免跌跤

　　突然踩滑了，摔倒在地上
　　只得鼓起勇气再踏冰而行
　　直到冰块都破裂了为止

　　且让我们在坚厚的铁门后静听
　　那强风自南而北激烈的交战
　　这就是冬天，但也带来了无比的情趣
　　　　　　　　　　　　（苏群超编译）
http://www.sunrise-records.com/sunrise/ind...&ID=2323

Actors: Julia Fischer
Format: Classical, Color, NTSC
Language: English
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Aspect Ratio: 1.33:1
Number of discs: 1
Rated: NR (Not Rated)
Studio: BBC / Opus Arte
DVD Release Date: April 20, 2004
Run Time: 105 minutes



【引用】5.0 out of 5 stars (~~)==++ BRAVO JULIA!! She REFRESHES and VITALISES Vivaldi's "THE FOUR SEASONS"! February 14, 2007
By Martin Müller
I can hardly find words to express how BEAUTIFUL and LOVELY JULIA FISCHER's interpretation of Antonio Vivaldi's "The Four Seasons" is!! Her recording is simply so consistently PURE and PERFECT and one simply won't be able to stop listening to it and watching her beautiful violin play! Technically, Julia Fischer's violin play is - as always! - a class of its own and there are few violinists nowadays who are as great violinists as Julia Fischer and whose violin play is of the same unique perfectness and quality; Julia Fischer's intonation is completely clean and accurate, flawless as well as precise - I lack the words to express this more appropriately! The tone of her violin does not "strike" the notes with an overemphasised and excessive vibrato, as other violinists prefer to use, but instead is right to the point and determining, well "demanding" but also in a certain way (which we can be happy about!!) "restrained", which means, as I just described, that she always prevents too much "colouring" of tones as well as overemphasised vibrato! So I really appreciate that Julia Fischer has enough respekt for this musical piece as well as discipline to interpret and perform it!

Besides Julia Fischer's 1. class technical control of this Antonio Vivaldi piece, FIRST OF ALL I have to mention - with extraordinary delight! - the very REMARKABLE INTERPRETATION of this piece, which had been recorded countless times in the past and which has almost been "worn-out" by these many recordings of this Vivaldi piece; as this recording is a DVD, which means an audio-visual recording, Julia Fischer's audiences and fans can really see how deeply moved and lost Julia Fischer is in her interpretation and violin play and playing together with the orchestra, and she shows us her emotions which these four concerti by Vivaldi cause on her! Several camera positions visualise how much Julia Fischer is expressing her feelings for this musical piece, you can see how she is getting carried away with this muscial piece and is vitalising it as well as playing it with much sensitiveness. This one can recognise from her always discreet but the more emotional expressions on her face when she appears especially emotional in some passages of these four concerti, and then when she as a conducting solist gets at the entries of each part of the orchestra with smooth smiles and glances in other passanges. "Discreet" is certainly (according to my own impressions which I have from Julia Fischer) quite a suitable expression or term or maybe a "description" for certain characteristic of this wonderful young 1. class violinist Julia Fischer (if I may assume or presume to say that!); what I want to say by that is as follows: Julia always finds, if in the interpretation of a musical piece or in her appearance, the right "centre", which means that she "balances" between too much or too little of something, e. g., in that she never "over-interprets" pieces and in that, in contrast, she is never too "shy" or "conservative" or too restrained in her interpretations and violin play.

This recording simply shows that it's all right! Julia Fischer, who conducts the orchestra completely on her own even at this very young age, together with the orchestra form a complete as well as much harmonic whole, which could be seen quite often like this in concert halls throughout the world. I hope a lot that this excellent cooperation between the young violinist Julia Fischer and the chamber orchestra of the "Academy of St. Martin in the Fields" remains for the future and can be seen more often in this combination in concert halls throughout the globe! I am really happy that after all this DVD offers classical audiences a FRESH NEW INTERPRETATION which lacks on the same high level in recordings made by other violinists. At this point Julia Fischer's interpretation is a really UNIQUE and so LIVELY one! After countless boring and tyring, well "dead" recordings made by other violin virtuosos I feel really VITALISED by this excellent and superb recording made by JULIA FISCHER!

Beyond that, the atmosphere as well as the background for this recording of each location in which the orchestra with solist Julia Fischer performed were altogether very well chosen changing for each of the Four Seasons in the "National Botanic Gardens of Wales", and they give it a really pleasant contrast which suits the interpretation of these four concerti. The four different costumes Julia Fischer wears for each of the four seasons were all very well chosen, and they suit this beautiful and attractive young violinist! But: It should have been decided to allow the members of the orchestra also wear (more) colourful costumes and not, instead, make them wear "priosoners' costumes"! So much as of one negative fact about this recording. However, there is one more, but much severe problem which is MUCH MORE ANNOYING and UPSETTING and particularly DISTURBING. I must urgently criticise the following problem of this otherwise beautiful and remarkable recording: There is disturbing noise - namely noise caused by the surrounding nature - which come from the background of the four different locations chosen for this recording within the "National Botanic Gardens of Wales". This noise is for example twittering birdies, buzzing humble-bees, rushing streams and blowing wind!!! It seems much like this trashy, silly or absurd as well as completely idiotic and stupid and unacceptable noise was intended to be recorded in a disturbing and upsetting manner for the background of this otherwise perfect and tremendous recording of Julia Fischer's "The Four Seasons". There is probably not a responsible person for making this recording who could not have heard this during the production of this DVD - as this noise is totally disturbing in several passages of "The Four Seasons"!!! Solist Julia Fischer and the orchestra make so much efforts to produce such a highly remarkable recording, at which they succeed so tremendously and overwhelmingly, while these intentions are partly disturbed by the noise I mentioned which comes from the background!! There is not a solist and no orchestra who could ever be happy or enthusiastic about such musical misdoing and support such nonsense and stupidness! This shows that the responsible managers of the DVD publishing company or its producers must apparently have had their "tentacles" in the pie when producing this DVD, and they must have lost any sense of this music - and in particular of classical music! - as well as any musical mind!! THOSE we, the audiences, owe this nonsense - NO thanks for that!!!

MUCH MORE THAN a "REPAIR" FOR THIS is in any case the 10 minutes' INTERVIEW WITH JULIA FISCHER in which she explains how she became introduced to "The Four Seasons" and what influenced her while learning this great musical piece, and Julia explains that this was her first "complete" piece for violin with orchestra and therefore it has a very special meaning for her. She also tells us about her musical idols, first to mention David Oistrach and secondly Yehudi Menuhin. Much more you will learn from this young violinist, about her future goals as well as about her musical perspective, and she talks about various musical subjects! This interview from her is really worth seeing it and listing to it, especially, if one is VERY ENTHUSIASTIC ABOUT HER anyway and if one would like to learn more about Julia Fischer!

So, this recording is of HIGHEST PLEASURE TO LISTEN TO (despite the twittering birdies, buzzing humble-bees and rushing streams in the background) and additionally it is MUCH WORTH SEEING IT (not only because of the VERY BEAUTIFUL JULIA FISCHER!) and JULIA FISCHER earns some extra respect and acknowledgement for she conducts, at this very young age, the ORCHESTRA AS A SOLIST COMPLETELY ON HER OWN! And anyway this recording is a MUST for all VIVALDI fans and of course for all of those who are much enthusiastic about Julia Fischer! So I give FIVE stars and even MORE STARS, if possible! My very best recommendations to buy and especially to LISTEN TO and WATCH this GREATLY ASTONISHING VIVALDI PERFORMANCE!!

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专辑曲目:

                        Antonio Vivaldi (1678 - 1741)

Violin Concerto "The Four Seasons", Op.8 No.1-4
Concerto No. 1 in E Major, Op.8 No.1, RV. 269 "Spring"
[1] 1. Allegro
[2] 2. Largo E Pianissimo
[3] 3. Allegro (Danza pastorale)

Concerto No. 2 in G minor, Op.8, No.2, RV.315 "Summer"
[4] 1. Allegro non molto
[5] 2. Adagio
[6] 3. Presto

Concerto No. 3 in F, Op.8, No.3, RV.293 "Autumn"
[7] 1. Allegro
[8] 2. Adagio molto
[9] 3. Allegro

Concerto No. 4 in F minor, Op.8, No.4, RV.297 "Winter"
[10] 1. Allegro non molto
[11] 2. Largo
[12] 3. Allegro

PLUS EXTRA FEATURES

"When you reach a goal..." - an interview with Julia Fischer
"Favourite Seasons" - views on the seasons' moods and Vivaldi's music
'Director's cut' and 'performance edit' options        

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